10 Works You Should Know: Zinta Jaunitis
Zinta Jaunitis makes art through serious play. She produces colorful, meandering artworks are with unexpected methods, like drawing upside down or with her non-dominant hand.
Growing up outside of the U.S., Zinta hasn’t always connected with the American heritage that has largely shaped LDS culture in prior years. As such, her list of “10 works you should know” takes more expansive view by including works from LDS culture and outside works that might resonate within the culture as well. With a good mix of Latter-day Saint and non-LDS artists in her list, you’ll find new perspectives on familiar imagery and ideas in her selections.
1.
Fourteenth Ward Relief Society (Various)
Fourteenth Ward Album Quilt, Salt Lake City, Utah (1857)
Textile, 126 x 99 inches
Church History Museum and Private Collection
The Bizarre, Unbelievable, and Miraculous Story of The Salt Lake City 14th Ward Album Quilt, 1857
The Center’s Studio Podcast S8E6
2.
Franz Johansen (American, 1928–2018)
The Rod and the Veil (1975)
Sculptural relief
Church History Museum, The Church of Jesus Christ of Latter-day Saints
3.
Dorothea Lange (American, 1895-1965)
Clouds, Utah (1953)
Silver gelatin photograph
Brigham Young University Museum of Art, purchased with funds provided by Jack and Mary Lois Wheatley
4.
Käthe Kollwitz
The Widow I (Die Witwe I) state V/V, plate 4 from War (Krieg) (1923)
Woodcut, 26 x 18 3/4 inches
5.
Makoto Fujimura
"Transfiguration" Triptych, from left to right, Son, Father, Holy Spirit
Sumi ink on Belgium Linen, 7'x11' panels
6.
Lisa DeLong
In The Beginning
Bronze powder and handmade watercolor on Iranian marbled paper
7.
Corinne Geertsen (American, she/her)
Orbit Starter Kit, 2023
Digital image
Used with permission of the artist
8.
Christina Kimeze
Still (I) (2023)
9.
Corita Kent
that they may have life (1964)
Serigraph, 30 x 38 ¾ inches
10.
Susana I. Silva (Argentine, 1976)
Invisible Networks
Paper, 43.5 x 34.75 Inches
Used with permission of the artist
A Conversation with Susana Silva & Gonzalo Silva
A guest blog post by Fleur Van Workoem